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Painting: The Messenger or The Good New

Painting ID: 52622

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Martin  Drolling The Messenger or The Good New

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Martin Drolling:
1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.

Related Paintings to Martin Drolling :.
| Glasgow Docks, 1881 | Henri de Toulouse-Lautrec - At the New Circus, Papa Chrysanthemum | Claude Monet--Morning on the Seine near Giverny | Pieneman, Nicolaas -- De onderwerping van Diepo Negoro aan luitenant-generaal Hendrik Merkus Baron de Kock, 1830-1835 | Rembrandt Harmenszoon van Rijn011 | | a stage design by vladislav hor the last act of berg s wozzeck | Detail of cross | Angel with a censer and a candle | The Lances,or The Surrender of Breda | The Battle of Heraclius and Chosroes |


 


 

 

 

 

 

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Martin  Drolling